I'm Wayne, my own photos are on flickr or instagram I'm usually in San Francisco.Įvery photograph is published with attribution and a link to the original source. Jason Roberts Dobrin on his book "Mountains"īarbara Crane on "People of the North Portal" Which version? Louis Faurer, Family, Times SquareĬlaxton's Coltrane at the Guggenheim A Few Short Interviewsĭemian Bulwa on Oscar Grant's photograph of Johannes Mehserle Masao Yamamoto & Lee Friedlander at 49 Geary Why and How - Attribution of photographs on Tumblr When I see colorized historic photographs Richard Avedon: Three Singers (Janis Joplin, Cat Power, Whitney Houston)Ĭarleton Watkins escapes the 1906 earthquake
JIM MORRISON ALFRED EISENSTAEDT HOW TO
How to Destroy a Photograph attacking an Andres SerranoĮizo Ota's snapshots transformed into one of the great photo booksġ970's color and Mark Cohen's Wilkes-Barre, PA The greatest American panorama by James Calvin Patton On Rosalind Solomon's mastery of the flash The Fisher Collection at Pier 24 in San Francisco
Werner Herzog's "Cave of Forgotten Dreams" and PhotographyĬomparing Avedon and Cindy Sherman muralsĪ wishlist for museum photography exhibit websites Mars Curiosity & 19th Century empty space photography Survey Photography: Mars Curiosity & Timothy O’Sullivan Internet memes, Giovanni Anselmo and 70's conceptual art How to Photograph the Entire World: The Google Street View Era Mary Ellen Mark's "Prom" and the ethics of portraitsĪlfred Eisenstaedt's most famous photo has a new context Rauschenberg's contact sheet of Cy Twombly in RomeĪ collection of Japanese Ama diver postcards Mark Steinmetz and the Winogrand influence The album reached #54 on the music charts.Carl Van Vechten's backgrounds in KodachromeĪtget, Kertész and Google photograph one street in Paris Some of the segments from the 1969 session were issued on the bootleg album The Lost Paris Tapes and were later used as part of the Doors’ An American Prayer album, released in 1978. The latter recording session was attended by Morrison’s personal friends and included a variety of sketch pieces. The first was in March 1969 in Los Angeles and the second was on December 8, 1970.
JIM MORRISON ALFRED EISENSTAEDT PROFESSIONAL
Morrison recorded his own poetry in a professional sound studio on two separate occasions. Volume II, The American Night, released in 1990, was also a success. The Lost Writings of Jim Morrison Volume I is titled Wilderness, and upon its release in 1988, became an instant New York Times Bestseller. These were the only writings published during Morrison’s lifetime. These two books were later combined into a single volume titled The Lords and The New Creatures. The New Creatures verses are more poetic in structure, feel and appearance. The Lords consists primarily of brief descriptions of places, people, events and Morrison’s thoughts on cinema. He self-published two separate volumes of his poetry in 1969, titled The Lords / Notes on Vision and The New Creatures.
At UCLA he studied the related fields of theater, film, and cinematography. Morrison began writing in earnest during his adolescence. Burroughs, Jack Kerouac, Allen Ginsberg, Louis Ferdinand Celine, Lawrence Ferlinghetti, Charles Baudelaire, Molière, Franz Kafka, Albert Camus, Honoré de Balzac and Jean Cocteau, along with most of the French existentialist philosophers.
Some of his formative influences were Plutarch’s Parallel Lives and the works of the French Symbolist poet Arthur Rimbaud, whose style would later influence the form of Morrison’s short prose poems. He was influenced by Friedrich Nietzsche, whose views on aesthetics, morality, and the Apollonian and Dionysian duality would appear in his conversation, poetry and songs. A voracious reader from an early age, Morrison was particularly inspired by the writings of several philosophers and poets.
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